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The Slow Rush is released worldwide in 14 February. It's completely abstract," he says. Some people hate doing that and I'm one of them. So he was probably stoked to be there with Kevin Parker. And maybe the music wouldn't suffer and maybe it would just be better because I wouldn't be – I have all kinds of thoughts like that, with this album at least. I don’t know. Do you actually feel this way, or is this just the post-album emotional hangover? Could I ever feel those things again? ‘Cause we played a medley of my song and another song, and the other song was one that John Mayer played on. So there was no back-and-forth. In those moments, I wish I was just a pop artist who had people buzzing around doing all these kinds of things around me. So yeah, there I was in the studio with Rocky, playing along to my own song for the first time. And probably is. They taught me so much about storytelling in songwriting and having such a strong personality in your music. I really wanted to have [the album] finished for that touring season but it was wrong of me to choose timing over quality. But it won't stop me trying. So he ended up taking the drums from a different song and using them in that one. How long does it take before you're comfortable enough to just snap into it? And you know what? I mean, it's funny cos that that one, the putting the chords on loop and going to sleep, I didn't think of that as an experiment. The Number Ones: Genesis’ “Invisible Touch”, The Number Ones: Simply Red’s “Holding Back The Years”, Shut Up, Dude: This Week’s Best And Worst Comments, Eve 6 Guy Is Spilling The ’90s Alt-Rock Tea On Twitter, Boy Band Why Don’t We Sample Smashing Pumpkins’ “1979” On New Single “Slow Down”. STEREOGUM: I don’t know that much about the art of production. The hardest thing to do in that time would be to just sit down and finish the song because I just wanted to do something else, or something would take my attention, or I was bugging out about it. It had been four years since the last album and no one announces a festival slot, and a world tour, without something new to promote. [5] In the recording studio, Parker writes, records, performs, and produces all of the project's music. STEREOGUM: And then he came out and performed with you at Coachella. Hence, the mellow vibe. Fuck yeah, let’s do it!” You know? We love drum sounds. It’s everything. It can be extremely lame. We have old-fashioned tastes, but care about nothing more than making relevant music. What songs are closest to how you first imagined them? But you could have that. Something we both care about deeply is making relevant music. Same emotion. So I just sang the first thing that came to my mind. There's so much more I want to do. I was in shock. I always assume that people will enjoy it more if I kind of just don't do anything else to go along with the music. And usually you just kind of press a couple buttons and give them whole sections, but I gave them every little bit of it. And he was really into it the whole time as well. Exactly. There was four of us, really, ’cause it was BloodPop. "I'll do whatever it takes make music I think is inspired. Can you unpack that a little bit for me? We only listened to it at like max volume. "Months later I listened back to it and I was like, ah, kind of sounds like Seventies rock. It was so much fun. Did you get starstruck back in those days being around celebrities? Choosing what rhythms to play. I can't emphasise enough how important it is to me to feel like I'm just outside my safe zone. In that same interview, Parker said that his biggest takeaway from making both the previous Tame Impala album, 2015's Currents, and this one was to trust his gut instincts. Did you see that clip? 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